source: The Guardian
published: 25 October 2017
“So how much of your work is really documenting the ineptitude of the police?” Stan Douglas is laughing at my question without completely avoiding it. “Well, the work can’t conceal the points at which they are out of their depth,” he says.
We’re sitting in the Victoria Miro gallery in Mayfair, London, talking over the sounds of drilling as the artist’s latest large-scale works are secured to the wall next door.